Minolta Dimage 5 Manual de Instruções descarregar pdf (Página 44)

White balance is the camera’s ability to make different types of lighting

appear neutral. The effect is similar to selecting daylight or tungsten film,

or using color compensating filters in conventional photography. One

automatic and four preset white-balance setting are available with still

image and movie recording. White balance is set in the main recording menu (p. 36) or

the movie-recording mode (p. 61). When auto reset (p. 55) is active, the white balance

will be reset to automatic white balance when the camera is turned off. White balance

can be assigned to the controller with controller customization (p. 54).

The automatic white balance compensates for the color temperature of a scene. In most

cases, the auto setting will balance the ambient light and create beautiful images, even

under mixed-lighting conditions. When the built-in flash is used, the white balance is set

for the color temperature of the flash.

Preset white-balance settings must be set before the image is

taken. When one of the preset white-balance settings is

selected, an indicator will be displayed on the LCD monitor to

indicate the active white-balance setting; the effect is

immediately visible on the monitor. To record the ambient light,

set the flash mode to flash cancel (p. 39). The built-in flash can

be used with preset white-balance, but will create a pinkish or

blueish cast with the fluorescent and tungsten settings. The

flash is daylight balanced and will produce good results with

the daylight and cloudy settings.

44 RECORDING - ADVANCED OPERATION

WHITE BALANCE

Cloudy - for overcast outdoor scenes.

Tungsten - for incandescent lighting: household filament light bulbs.

Fluorescent - for fluorescent lighting: office ceiling lights.

Daylight - for outdoor and sunlit subjects.

White balance

1 2 ... 39 40 41 42 43 44 45 46 47 48 49 ... 111 112

Sem comentários

Minolta Dimage 5 Manual de Instruções Página 44